I made some drawings of the Bend Burlesqe Co. A full band with horns, four dancers, humor, and a charming host. 
I made some drawings of the Bend Burlesqe Co. A full band with horns, four dancers, humor, and a charming host. 
I drove to Portland to see the synthesizer store Control Voltage. Can you imagine a store where there are synthesizers and you can try them and talk to experts and ask questions?

Does this photo make you drool? I admit I do not know what 9.9/10ths of these things do.
This was the most fun toy I played with. The delaydelus from Bleep Labs. I got a Thingamagoop from them a few years ago. This thing has a crazy sound. Who needs any effect other than delay and pitch shift? It has a unique form of a “patch bay,” there are eight pins, and if an alligator clip is connected to one or more of the eight pins, it will play one or more samples. The designer says it allows you to “get intimate with your samples.”
This device, the op-1 sounds beautiful, is clearly much more powerful than a Roland groove box, and is battery powered and portable. You can program it on your train ride! The staff said it has been their best seller recently.

This artistic logo was created with nails in the wall and hundreds of black threads!
A classic theremin! What a beauty.

My primary reason to visit was to try out this new theremin to see if I wanted to purchase it. I decided that no, I definitely do not. This theremin has 32 presets but I didn’t find any of them very useable, they can’t be edited without downloading an app for your iPhone, and the piece seemed very small, plastic and toylike. The antenna is too short! The sensitivity wasn’t to my liking, and I just didn’t like its sound as much as an original theremin. The pitch quantization seemed too good to be true, but I just couldn’t imagine myself playing this theremin.
Some of the powerful voices at the Spoken word stage at Oregon Country Fair.




Oh yeah, and I performed too. You can see many of these slammers at Tsunami Book’s Poetry Slams (Hosted by Jorah LeFleur), every ssecond Saturday.
Faerbella call themselves “dark cabaret” I thought their clever pop lyrics and harmonies reminded me of Camera Obscura and the Cardigans. Trumpet and stand up bass mean they fit in at a jazz venue, a sense of humor and lovely voices make them a fantastic live show.
Serena had several dance performances with her troupe Fusion Fascination. (Michele was very serious and had a stern face as she danced, but Kaity had a big smile.) I took photos to reference for details in my drawing.
Cullen Vance is so talented, producing elaborate middle eastern soundscapes with a fiddle, some drums and a looping pedal. His wife Mia dances belly dance. I hope to see them again because they are awesome! Keep up with them at this website. Cullen also teaches drama and improv and makes animation.
We also heard humorous stories from Tamathy Christenson, who performs monthly at No Shame Eugene. I got to play piano and theremin and share my cartoons while people mingled and enjoyed Steve’s incredible steam punk, diesel punk and ???? art. His work is always up at the New Zone Gallery. It is weird, wonderful and functioning.
I played a few songs at this show, a fundraiser for Joel West, and drew the other performers. I especially liked TJ. Thanks for having me fellas.
We transformed a living room into an animation studio. When it’s finished, we will post here and at the Human Ottoman website.
I made it to Eugene’s second con this fall, Eucon! And I saw many amazing artists. By coincidence the author of this book was there.
I picked it up a few months ago from a Portland Art store and I’ve been sharing it with my students to many “oohs” and”aaahs.”
She was charming and answered questions and talked about her career. She told us the secret to making believable animals in fantasy worlds and films is to base them on the structures of real living animals. She shared with us how she would go about designing a “jabberwocky.” (she would combine a pteranodon, a rahmphorincus, with an Ethiopian wolf, a long neck and a rabbit head) I asked her what does the jabberwocky eat with those rabbit teeth? She said, “little girls!”
She said she wanted to illustrate biology but got into film almost by accident when Lucasfilm’s art director saw her work in her school’s gallery. Here is a long video about her career.
My favorite part of the video is where she says, “keep yourself teachable.”
She is behind a massive free online course for designing fantasy animals, Creatures of Amalthea.
( maybe it’s an ad campaign for copic markers, but it’s pretty cool!)

Thank you Terryl, you are an inspiration.
I also met this fantastic Portland artist Kelly McMorris who illustrates for Disney, Scholastic and cricket magazine. Check her work out here. She has a blog where she talks about art technique! Wow, I could learn a lot from her.
Here are some of the coolest cosplayers I saw.
What time is is? ADVENTURE TIME!
What kind of crazy fan fiction would have Marty Mcfly meet Ant Man?
That adorable pink storm trooper outfit is made out of yoga mats!
Fun show with these two folk artists. I prefer Erin playing with a band behind her, her more “rockabilly” material, check out her songs,” we will become like birds” ” white city” ” blackbird” and “le petit mort.”
She played with Natalia Zuckerman backing her up on the lap steel guitar.
A few years ago I was in Toronto for nxne and someone told me they were looking forward to seeing Shannon and the clams. The name stuck in my head and I looked them up and dug their sound. They were playing a post haloween show in Portland. The show was very fun, and they bring their sound of their records very accurately to their live show.
Here is my warm up drawing.
Whoops, forgot one of the ns. Better draw them over again. Form where I was standing, the drummer was hard to see.
Beautiful music! Very surf garage! I love the 60s style organ sounds and the gritty rock vocals.
Here are some photos.