Author Archives: isaacparis

Willis Fireball, Avery Wolves, Feeding Frenzy, Pretty Birds that Kill

Willis played with John Keech and Caressa at a house party in Fairbanks last week. It was a fantastic show, he played his originals, songs about traveling, Caressa songs, Mountain Goat songs and even a Muldoonies cover! He hasn’t played in Fairbanks for years and it was a real treat to see him live. He most recent album “Secret Grey City” is a real treat from start to finish. One to listen to as a whole album.

The Avery Wolves are a fantastic Rockabilly band. One thing I love about them is that their drummer plays standing up, and their bass player has made his own bass. They have fantastic fast energetic songs including “Psychobilly Jesus!” I have seen many incarnations of Nathan’s bands before, including “Black Noir,” and “Aces and Eights.” It has always been good but his current incarnation is fantastic and very tattooed.

Feeding Frenzy is Fairbanks’ current Best Band. I said it- they are much adored and rightly so. Acoustic, with hints of bluegrass and Appalachian folk. Its danceable, its sentimental, its very fun and sweet. Ephy plays cello and violin, Rebecca plays the melodica. Daniel Firmin could grab an audiences attention, make everyone shut up and give him their ears.

Pretty Birds that Kill play fun dancey electro party music. They spent a year in Chicago and toured the states and they are back in Alaska. They play at  Trapper Creek Music Fest on August 14.  They performed a live concert at KSUA, and it will be available on the web soon.

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Murder By Death, Pretty Birds That Kill, Barney McClure Trio, Young Fangs, Squirrel Nut Zippers

Wouldn’t that be a crazy festival?

I just got to see Murder by Death, they played the Pub here in Fairbanks and were amazing. Their bass player makes all kinds of crazy ambient sounds with pedals, their cellist provides amazing counter melodies  and accentuates with pizzicato, their keyboard player wails the organ like its a demonic choir, or picks up the accordion and pleasantly bobs along, and of course their singer can really really sing. Sometimes he seemed to affect an accent that was a little Pirate, a little Sean Connery, and his range and tone remind many listeners of Johnny Cash. Well they are a show not to be missed, here is Adam holding three of my drawings of them.

 

Here is some older drawings that I am now getting around to posting, many more coming soon. Pretty Birds that Kill are playing tonight at the Marlin with the Avery Wolves. its 5$ at the marlin in Fairbanks, for ages 21 and up.

Fairbanks' freshest young pretty boy Indie band, kinda like a death cab/jimmy eat world thing

Fairbanks’ freshest young pretty boy Indie band, kinda like a death cab/jimmy eat world thing

i saw them play in 2009 in San Fransisco, CA. Fantastic! but missing the violin 😦

i saw them play in 2009 in San Fransisco, CA. Fantastic! but missing the violin 😦

He's legendary, he's Barney McClure, with a sax player named Nef and a drummer named Diamond

He’s legendary, he’s Barney McClure, with a sax player named Nef and a drummer named Diamond

Caught this crazy grrl punk band in Brooklyn in 2007

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Stumblebum Brass Band

The crazy Stumblebums tore Fairbanks a new asshole with two shows at the Marlin and the Boatel this last weekend. There was moshing, tuba, insane trumpet solos, full frontal nudity, copious amounts of alcohol consumed, dancing and cursing in spades. Here are some photographs, my drawings, and an article I wrote about them. Thanks Johnny, Ronnie and Smidge for good times.

 

http://mobile.newsminer.com/view/full_story/13612531/article-Raucus-brass-band-stumbles-in-to-Fairbanks?instance=latitude_65_headline

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Clucking Blossom is nearly upon us.

May 21 is Clucking Blossom.
Its a free outdoor Festival at Birch Hill Recreation area, May 21 noon to midnight.
Confirmed Bands include Sweating Honey, Let’s Hotbox a Delorean, The Jeffreys, Eating For Two, and The Phineas Gage.
There are also  art supplies to create and decorate your clothes, a kids zone (maybe with baby goats in a petting zoo?), an indoor Metal stage, a free market, an art walk in the woods, information booths from local non profits and much more!

I will be walking around drawing portraits of anyone who wants one and giving them away.
This is a 7 year tradition in Fairbanks and like the previous years it is free.
Of course it isn’t free to rent the space or pay for the security, the sound gear and the insurance. The only way this comes together is with pluck and vigor, passion and a whole lot of volunteers! We don’t usually have out of town bands play because without a cover charge or corporate sponsorship there is no budget to play the bands.

So what kind of a festival is it? I have been to Bumbershoot , CMJ, and South By Southwest and the one thing I would notice is there is a complete absence of corporate logos! There is no “Starbucks” stage or “Rockstar sponsored events” it’s all by us for us: and by us I mean the people of Fairbanks. If you want to help now or perform in future years, you TOTALLY CAN!! Because its YOUR FESTIVAL.
I will post more as it comes to me, here are two flyers I made for the event. Feel free to print them and post them.
I will be back with photos of the event, photos of my portraits, drawings of the bands, and some notes to review their performances. There are many special things planned. we have just 2 more meetings before the event, tonight-wednesday the 11 at clucking blossom, next wednesday and next friday we will construct the stage and put together the ART WALK.

Hello, this is the first two chapters of my new book. I may re-imagine it as a screenplay to be animated. I wrote a similar book when I was about 19, but now I’m starting over and doing it over again. I fully realize it is derivative, I heard that Hollywood prefers things that way.
Pitch: A Disney Princess Story meets Kurt Vonnegut Jr.
Other Keywords: Princess Mononoke, Cats Cradle, Dyson, WallE, Iron Giant

Jellybean  Jill and the Universal Construction Machine

There were 4 rules.

1 No living things
2 No destructive weapons
3 No money
4 No more universal construction machines.

Usually new technology is discovered by the military first and then slowly ekes its way into the public sector. The submarine was first used to destroy an enemy, and then only later was it put to exploring underwater trenches to learn of new lifeforms, ecosystems and prove the theory of continental drift. Rockets were used to deliver explosive force long before they were used to take people to the moon or satellites to space.
But this invention was used by civilians before the military even imagined it was viable. In an attempt to reduce destruction one of the built in “limitations” was an attempt to prevent the construction of guns and bombs. Many useful tools of course have tremendous destructive power, and the dark imaginations of people can fuel hugely destructive forces.

I am writing this for readers of the 21st century, in an attempt to prevent disaster. My mind is struggling to imagine a metaphor that you will understand. The closest thing I can think of to the UCM is the lamp from the tale of Aladdin, one of the stories Shaharazad told to delay her execution. There was an animated film made of the story  which featured a jovial blue genie who explained there were rules with the lamp, he couldn’t kill anyone, and he couldn’t bring anybody back from the dead. There were rules with the first generation of UCMs as well; but Jill proved that with logic and inventiveness, they could be bypassed. A more apt comparison may be that of a girl who opens a certain dangerous box in a Greek myth.

Still struggling, I apologize; another similar story might be that of a superhero origin, someone discovering they have a newfound power, and coping with this and trying to wrap their heads around the possibilities. H G Wells wrote a story called “The Man who could Perform Miracles.” I don’t suppose you read that though. Jillian quickly found herself opposed by government forces, but her potential for defense more than matched their power to apprehend her, and fortunately they realized that before the collateral damage occurred. Once the first shots were fired in her direction, she developed a force field that could protect her from projectiles, and harmlessly dissolve the weapons that had fired them.
Jillian quickly shared the UCM with individuals, who were inevitably as confused as she had been and the government watched helplessly as their illusion of control vanished.

I find myself wanting to make another direct metaphor; I apologize for the repeated use of allusion. I was given universal knowledge when Jill became bored with having no one intelligent to talk to. My mind was flooded with the text of millions of Earth’s mythologies and so again, I utilize a literary reference. Jill thought of herself as a modern Robin Hood, redistributing wealth was one of her hobbies that began at the age of 6. She found great joy in giving to others, and if she had been more selfish and restrained herself, disaster could have been avoided.
Once the UCM caught on, it was unstoppable, spreading from household to household and continent to continent like no airborne virus the world had ever seen. It was first developed in a small lab in northern California, its influence expanded exponentially; suddenly space tourism was safe and affordable, and so millions ventured into the atmosphere to see the earth from above.

Economics is the study of how people deal with scarce resources, so you see why the UCM would obliterate the concept of economics. Once the UCM was a household item like a toaster or microwave had been to the previous generation, the only scarce resource was empty space. The whole world became a parody of the garages of the american suburbs, crammed with the junk associated with impulse spending, yard ornaments, pool toys, trampolines, video game systems, sports gear, musical instruments, toys, “collectibles.” Only now there was more of it.  Everyone became a spoiled child. It was as if the collective attention span had been diminished and no one could be bothered to clean up their mess. “Americanism” ran rampant.

Rule four was instantly bypassed and abandoned.
Rule three proved moot: No one needed money anymore.
Rule one was broken, as my existence demonstrates .
But rule two was the tricky one.

But once this was in everyone’s hands, greed was no longer a factor prompting violence, people were killing each other over much more petty and banal things; because they could.

I realize I have a unique perspective about this, but let me emphasize: I  knew Jill personally. I was her “pet.” She became bored with the dogs, cats and bunnies she created with the machine (I did explain how she bypassed the self imposed limitations, didn’t I?) and gave me the ability to talk, and think. I became a living embodiment of the UCM itself, and began to speak for it. I am a talking, floating… again I struggle… sorry, hamster?

———————————————————————————–The first sound I heard was that cheerful voice of hers. “Hello! wake up!” My mind reeled, with centuries of history lessons and seemingly endless novels, tales, blogs and encyclopedia articles.
“Can you talk?”
“um… yes.” I heard myself saying.
“I was bored with Mimsy and Flopsy and Roofer and Harold and Kermit and all the others were kind of… boring. So I gave you a little more pep.” Her brown hair reached down to her shoulders and had a slight curl at its end.

“I’m a hamster? And I’m cerulean?” Looking at myself I observed a sky blue tint to my short fur.

“And you can fly- I hope.  I’m not sure I can trust this thing anymore. my specifications were quite… specific. Hmm” She indicated a white cylinder, the size of a wastepaper basket. It had glowing lights and a peaceful air about it.

“What kind of ridiculous anime sidekick do you think I am? Who are you? What are you doing with all that food!”

Her voice was calm, but had a slight wavering in pitch that indicated a lack of confidence. “My name is Jill. I… uh, made you. You are a manifestation of the collective knowledge of mankind. We are going to go on a picnic. If your inclinations are so… inclined? I mean, if you want to. but I do hope you want to.”     She was packing a watermelon, a six pack of soda, smoked gouda cheese, rice crackers, deviled eggs, a mango, three pears, olives (without pimentos),  a can of tuna and another of smoked oysters, a jar of pickles, some chocolate chip cookies (with walnuts)  and tortilla chips into a bag.

“A picnic: a pleasurable excursion in which a meal is eaten outdoors.” I grunted, rolling my eyes to express annoyance but also to take in my surroundings. We were in a suburban house, with French wallpaper I recognized as Pierre Deux and some Walnut furniture with linenfold carving. Recognizing them reinforced the the burden of my knowledge, it weighed like a million tons on my back, the sheer quantity of facts. I felt like Marvin from Hitchhikers Guide to the Galaxy.

“Your my new pet. Your the thirty-second one. The others were all insufficient, but I tried to improve on them and make up for their… insufficiencies. Golly Gee! I really need to expand my vocabulary; I have been too ebullient to sleep recently that may have a stifling effect on my verbosity. I gave you the knowledge of the internet.” Her smile gave me an excited rush of energy, as I recalled an emotion known as “companionship” from a story by Jack London called “Stickeen.”

She encouraged me to come closer, and I found that effortlessly, I could levitate nearer to her. Once I was close she pressed a button on the white cylinder and a white bubble engulfed us. We lifted up and out of the door of the house. Out side, beneath us, were endless, decks, lawn furniture, basketball hoops, fences, swimming pools, slip and slides, and dog houses but scattered among them were people in fist fights. Arguing over whose sculptures were taller, whose RVs were larger, whose stereo systems were louder,  whose fountain’s were prettier, and whose furnaces were more efficient.

Up we traveled, levitating over the madness, the gunfights, some nerf, some authentic. We settled over a hill that was littered with discarded four wheelers, pogo sticks, bigwheel tricycles, scooters, badminton rackets, bird feeders and baths, viking costumes, Duplos, bookshelves, and a gigantic wheel of fortune. With a wave of her hand, the detritus was swept away: and a trace of green grass emerged and struggled to absorb some sunlight.

We landed in the center of this crater and she unfolded a white blanket and began taking out her feast. “Olives contain antioxidants… of course the pickling process spoils that. Chocolate does too, but of course the Dutching ruins that. Look, pickles! I love pickles. Oysters contain Zinc and natural antidepressants but canning and smoking them of course diminsh their health benefits. ”  With each food item she removed she took a nibble.
She displayed her pleasure with every bite, which was beautiful. I felt like Jane Goodall observing a Gorilla as it ate its own grass colored vomit. This was a human, and as I had only just been blipped into existence, the behavior of humans was novel to me: I felt a need to observe and note. Jill looked like the humans who were arguing and fighting outside the bubble- but Jill seemed to behave much differently.
In my memory I recalled learning of “tea parties” and picnics. I was supposed to eat as well, I scrambled over to a plate with my clumsy little legs, sat on my bottom and brought the bit of a tortilla chip to my mouth. It was salty, crunchy.
A rocket soared by high above us as she brought a thermos to her mouth. “A lot of people think matte contains caffeine.” Fireworks exploded about a mile away. “Actually it contains a chemical that is similar and has a similar effect, but doesn’t carry with it the jitters or the post caffeine crash.” some gunshots were fired to the west and a hang glider crashed into a helicopter to the south east. The sun was setting and I tried to relax. I took a bite of a smoked oyster and recoiled.
“They are kind of an acquired taste… sorry if you don’t like it.”
“Jill?”
Hmmhmmm?” Jill mumbled while slurping an oyster.

“Is this a real oyster?” I asked, looking it over suspiciously.

“You mean, is anything real- that comes from a UCM?”

“It didn’t live in the ocean, it didn’t filter water though its valves, right?”

“It was created by the UCM for us to eat it. So, its real, but it never really got to be an oyster.”

I struggled to my feet. I stood up straight and looked her in the eyes. “Am I “real”?”
do you feel real?
Yes.
Well i think you are. who was it who said I think, therefore I am.
Descartes, though he wrote it in French first as “Je pense donc je sues,”
“Oh I’m so glad I made you smart! the animals I made before you couldn’t hold a conversation.”
“how can i function, without having had a childhood? how can my tiny brain hold so much knowledge?”
I threw my paws up to my ears, a deafening roar now willed the air and our tea cups rattled on their plates. I looked up in horror and saw a jet airplane come swooping down at a steep angle, it appeared as if it would crash into us. Though it was pointless, i dove behind a load of Raisen bread. Jill looked toward it, and effortlessly, her bubble extended and “grabbed” the airplane, causing it to gently land a hundred feet away from us. Emerging from the cockpit with exuberence was a 7 year old boy, who threw his fists into the air and shouted “YES!” then climbed down and ran off.

Our UCM seems, better than theirs, faster? Why is that?
I developed a technology to allow it to read my thoughts, and translate those into reality. We wont be harmed by anything outside the bubble.

“Why didn’t they think of that? why didn’t they think of a bubble?”
“I don’t know.”

“Why do they make airplanes they don’t know how to fly? Why do they make zamboni machines when there is no ice rink to smooth? What is wrong with them?”

“You are quite the curious little bugger aren’t you? Well I did make you that way, Ok lets try to answer that. Kids shouldn’t play with guns, and they shouldn’t look at pornography. I can’t say what is the magic thing that transforms kids into adults and makes it OK for them to do adult things. I think the UCM is more for someone who… is, well, more matured than an adult.”

“You used the UCM to make, a picnic, and a cute dress, and Me. But they are using it to make well, too much stuff. violent stuff, ridiculous stuff.” I was so upset that I may have stammered a little.

“one man’s opulence is another’s banality.”
She shrugged, with all the composure of buddha sitting under the bodhi tree. She took a sip of Matte.

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Lawrence Arabia, Caressa

Lawrence Arabia
Chant Darling
New Zealand
Bella union
Engineered by  James Milne, Luke Buda,  James Dansey, Nick Meul,  Jo McCaughey, Samuel Flinn Scott.
Mastered by Olly Harmer

This second album from New Zealand’s James Milne mimics many vintage styles.
Some tracks recall the Kinks, others Elliot Smith. There are hints of breezy psychedelia and humor throughout. Though it was recorded at various studios in the Sweden, the UK, and New Zealand, over a period of a year, yet it sounds as if it came from a fever of dreams in a single night.
The distorted bass line and catchy melody  of Apple Pie Bed makes it sound like a lost track from George Harrison’s “All Things Must Pass.”
Dream Teacher makes a very chill beach boys mood with multilayered vocals, sparse arpeggio guitar and quite familiar melodies. There are no drums, merely some gently tussled tambourine.  Look like a Fool is a entree masterpiece, worth your time and attention.
The only dud is The Beautiful Young Crew, where its hook, which was never that great to begin with, is truly dug deep into the ground by being repeated a dozen times.
Here is a fun, retro album, full of shining happy moods and blissful 60s sounds. He may ape the sounds of other bands too much to make the album a true gem- but several of these will be awesome on your mixtapes- and you’ll love it when Apple Pie Bed  pops up on shuffle.
He has played with the Brunettes, another awesome New Zealand Band who is worth checking out. He may have been a part of the band when I saw them at a New Zealand showcase at CMJ in 2007. He has played with Okkerville River and Connan and the Mockasins as well as other New Zealand “supergroups.”  He also has been opening for Crowded House in 2010, one of the best known New Zealand bands.

myspace.com/lawrencearabia

Caressa
Wanderlust.
Homer, Alaska.
Engineered by Matt Farnsworth and Atz Lee Kilcher.
Mastered by Tom Pfaelle.

Caressa has played in Homer for the past few years. She used to call Fairbanks her home, and before that, Los Angeles. Her friendly voices invites you into the world of her songs. This album was released in 2009, but I only recently got a copy when she came up here and played some shows with me.
There are intricate guitar picking rhythms and commendable performances from her rhythm section on this record. Her playful flirtation comes across in lyrics such as, “If you talk to me sweetly, I just might follow you home.” Illustrations of Alaska are in the poetry of her lyrics, local bars, trailer trucks, ocean waves, winter, wind and mountains are used as characters in her songs. The production is most exciting on Empty Nest, which is busy, but gives lapses in intensity and allows  the rhythm to be fluid to bring
Jazzy drums from Matt Farnsworth and banjo by Caressa herself on Wanderlust bring more fascinating textures and sonic accouterments. In Postcard from Homer, Ak, she demonstrates that she can balance tenderness and fury, “I never want to see you again, unless its all of the time.” In the last minute of this song, Caressa lets go of rhythm and plays some wild Kaki King-like guitar pyrotechnics. I hope a future album would explore these directions. I know she can play some wild stuff, and hope she doesn’t dismiss that kind of playing as “messing around.”
She has a percussive rhythm guitar style and carefully enunciates her delivery of clever lyrics, in these ways she has been compared favorably to Ani Difranco. It’s a good comparison if it helps more people listen in, but I like Caressa better.

reverbnation.com/caressa

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New Teen Paranormal Romance, Phantogram, PJ Franco and the Burnouts, Destroy Nate Allen, Social Studies

Hello.

My band is playing at Ivory Jacks in Fairbanks AK on March 26.

We play Amy Winehouse covers, Black Keys covers, original Jazz cartoon zaniness and whatever we feel like.

 

 

 

 

 

 

 

 

PJ Franco and the Burnouts

Rage City House City Shit

Anchorage AK

Recorded by Kurt Raymin at Surreal Studio

 

I don’t know if people are still going out to see 90’s era punk ska acts like Less Than Jake, although, I suspect that NOFX fans have a certain “never say die” quality. Here is an example that proves there are still kids playing this exciting , angry music and it makes others get up and circle mosh. The elements are here, upstroke ska guitar through distortion, fast ryhthms- heavy on snare, snotty vocals and lyrics about getting wasted in a dead end town.

 

Evan is known for his eccentric charm, as he can’t help but gleefully bounce while he sings, and shreds. The guitar is hopelessly messy of course, but it doesn’t matter because PJ brings us such intricate and relentlessly pounded drum rhythms. I struggle honestly to  tell the voices of PJ and Evan apart from each other. I think Evan is usually in lead vocal duty, he sounds as if he is smiling, no matter how mean the lyrics are. The one screaming is usually PJ.

The trombone onYoung Rizzo vs. Fat Val from Toddy is a pleasant inclusion, though it’s on few of these 16 tracks. This song is about a zombie apocalypse and “people were literally being…. eaten alive” says the disembodied talking heads from the television samples in the intro.

Burn it has some skanky guitar upstrokes, and a wide variety of tempos. “Burn down the White house with the President inside!”

The Wasteland is a tribute to a notorious house in Downtown Anchorage, It was a trashed shell of an abode but managed to keep its occupants warm and dry and most weekends could be counted on to be the site of a show or two. They give directions to the place in the lyrics to the song, though its no longer housing malcontent punks who host underage shows.

The mix suits the material well, the guitar is suitably huge, vocals are always clear and the drums are done in such a way that PJ’s frequent subtleties aren’t missed. He throws in fills, drills his snare, and more high hat hits than you would think would be possible in a brief second. At parts where the guitar is playing loud power chords, his cymbal playing is almost enough to sing along to. Sometimes I wish the bass were louder, like on track 13.

 

The word is that their bass player is only 17 and her mother won’t let her tour. I remember being 18 and wanting kids in my band whose parents wouldn’t let them, perhaps because they had the assumption, that everyone in bands becomes alcoholics.

If you still like this kind of music, check out another Alaskan punk band, Whiskey Tango.

Phantogram

Eyelid Movies

Saratoga Springs, New York

Barsuk

Eyelid Movies may be a rather obvious metaphor for dreams. there are many psychedelic and science fiction moods conjured in these 11 tracks. At times it reminds me of The Knife, others like School of Seven Bells and Nite Jewel.

The lead single, When I’m Small is some kind of wicked trip hop beats and rubbery guitar that sound like a rainy night in a inner city. Pleasant synth arpeggios add to the mid half way through.  Sarah Barthel sings “Am I underground or am I in-between?”  with an innocence and  creepy conviction. The vocals have a breathy intensity that recalls the best of Blond Redhead.  When the screaming double picked guitar starts at 3:20, the piece picks up and soars.

10,000 Cats has some of the chamber pop charm that My Brightest Diamond and St. Vincent have popularized.  Bloody Palms is another clincher:  this jerky riff begins immediately and doesn’t let us know where we will be getting off, Now the vocals of Josh Carter are the one’s giving us a eerie confusion and pleasant sense of dread.

The chirping baby dragon sounding synth that begins at 1:50 provides further fascinating textures.

Mouthful of Diamonds has a pleasant new wave pop progression. This album rocks from start to finish.

myspace.com/phantogram

Destroy Nate Allen

Until my Ankle’s Better

Portland, Oregon

Mixed by Tyler Hentschel at Psychedelic Media Circus. Mastered by Gus Elg at Sky Onion.

A collection of sing along acoustic punk anthems.

 

On Borthwick and Failing Nate sings about simple things. Homework, taking out the garbage and making his own bed.   He admits he doesn’t like the taste of alcohol or cigarettes, but enjoys staying up too late to get to know a friend better. A frequent topic of his lyrics is his faith, and sometimes he even communicates his fear of being rejected by those in the punk scene. Tessa Allen’s voice is a welcome addition in Math I Will Defeat You and Put your head on my shoulder. Nate’s voice is pleasant and free, friendly and warm;  he isn’t screaming, but singing genuinely and passionately. Drums and keyboard and bass appear sometimes, but usually the acoustic guitar is the only instrument. The music is never complex, it never distracts for the honesty and simplicity of Nate’s tender songs.

There are some great lyrics here, among my favorite is “Well I’m pretty glad we’re kinda free. Truth is we could be a lot worse off,” in Land of Opportunity. Small Town has some simple nostalgia about American life that would make The Boss proud. There are hints about the way America is changing, such as, ” They don’t sell records there no more,” in Gasoline.

Along with the lyrics in his zine packaging are essays about his songwriting process, his relationship with touring and school, how he juggles his faith and the experience of almost losing his wife to untreated appendicitis. These certainly help to fill in the gaps of the Nate Allen biography and give the audience a more complete experience.

None of these songs on their own would get someone particularly excited- but the whole album together makes a certain pastiche- a collection of moods and observations. This is best as a souvenir from the experience of a Destory Nate Allen show. He plays without plugging in, and somehow gets the jaded crowd to gather around him, clap, sing along, and follow him around the room.  It’s always impressive, compelling  and sincere.

This artist is currently on tour in Alaska.  Here is more about him in a write up in our local paper.

http://www.newsminer.com/view/full_story/12396042/article-Folk-rocker-Destroy-Nate-Allen-finds-new-sound-through-band-reimagining-?instance=latitude_65_headline

destoynateallen.com

 

Social Studies

Wind up Wooden Heart

Antenna Farm Records

San Fransisco, California

Highly enjoyable and perky female fronted indie pop

Here is a fun album, with a mix of noises pleasant and unexpected directions. Natalia Rogovin’s voice displays a genuine variety of moods.

Run with Fever is a great way to kick things off. Synths and female vocals curveball around a straightforward driving beat.  Drag a Rake brings in a string section for sweeps and pouncing pizzicato passages.

Trapdoor Spider was the first song I heard, and it  made me say, “I need more songs from that crazy band!” Things get frantic, familiar Casio sounds, combine with math rock and sweet, irresistible vocals. This one is more in the vein of Deerhoof or XXVVWWZ. Jesse Hudson joins in the vocals for a sweet duet in The Good Book. It’s a great way to end a great album.

Highly recommended for fans of Thao and the Get Down Stay Down and the Cardigans.

 

myspace.com/socialstudies101

socialstudies.bandcamp.com

 

 

Coming soon: more comics! I promise. I will soon be published in a zine produced by Green Tara of Anchorage, I have plans to play at Clucking Blossom, to tour to anchorage, to finish my first book of cartoons and post more reviews on here. Coming soon- Caressa Starshine and Lawrence Arabia

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Indie Rock Cliche Bingo, Stumblebum Brass Band

Here is a little comic I made. The bands illustrated here are the Sahara Hotnights, Marnie Stern, and members of Netherfriends and the Raveonettes. You will have to click on them to enlarge enough to read.

I debuted new songs “Haute Couture” “An ode to Star Trek Villians,” and did encore performances of earlier pieces at Rosemary’s house CLOUDBERRY CASTLE last weekend. I played alongside Avery Wolves, 58 Roadsigns, Eating for two, Feeding Frenzy and Space Boots.

Caleb Kuntz added video of me performing “Knit that Shit” with Band of Zorses from the february 5th pub league.

fbxshows.com/wp/?page_id=15

New Teen Paranormal Romance will play a show this Friday (march 11) at the marlin. its 5 dollars and profits go towards CLUCKING BLOSSOM. We are performing with the Good Daze, Jesse Hobbes, and my good friend Greg who calls himself “Black Flowers Black Sun.” Highly Recommended.

We also made a Facebook Page.

http://www.facebook.com/pages/New-Teen-Paranormal-Romance/173243516053895

Please add us as fans, there are things we can’t do until we have over 35 fans. Also, it helps when we are trying to book shows if the booker knows we have some fans out there. 🙂

My friends in the Stumblebum Brass Band are coming back to Alaska for a tour.

They will play in Fairbanks June 4 at the Marlin, I will be their opener. They also have dates all over the state in May and June, including: Talkeetna, Anchorage, Homer, Denali and Trapper Creek. Their live show is amazing. They have gotten arrested for playing outside on Christmas without a permit. Punk rock.

Check out their tour dates at
http://www.stumblebumbrassband.com

Frantic New Orleans style street jazz meets Punk rock frenzy

Stumble Bum Brass Band
Fuck You Lady Gaga. (no label)
New York, New York
Recorded at Bisi Studios by Martin Bisi
Mastered by Dr. Kevorkian
Key tracks Sweet Spot, 2nd Avenue, Girls, Anarchy, I Killed a Man.

The Stumblebums borrow from New Orleans street jazz for the bones of their skeleton, then punk rock for the teeth. . Those snare hits slam and that tuba is huge in the mix. The tuba is so expressive, and its pilot is adept at giving each blast character and verve, even when the tempos are enough to exhaust to anyone sane.The trumpet soars and the vocals, sometimes shouted through a bullhorn, sometimes crooned with the whisky soaked gravel, provide many “did he really just say that?” moments. Most of these songs are fast, offensive, wild and fun.
Many songs come in around 2 minutes, and would be fantastic on your mix tapes or inserted into radio playlists for a satisfying wtf moment.
Many of these songs are reproductions of sketches from their first album- redressed and touched up. Shortened and tightened perhaps from two years of intense live shows. On the first version they sounded a little flat, soggy and honestly, like they were just playing into a mic in a dead room. They sound fantastic now, Smidge’s voice and lyrics channeling vice from the great frontmen he follows, Janis Joplin, Iggy Pop, Louis Prima, Tom Waits, a touch of Hank Williams, and of course a nod to all the hip-hop frontmen who revel in being as ‘nasty’ as they can.
On “Try” they actually slow it down and let things swing. “My body’s had enough, lord I tried,” it’s a refreshing reintroduction to the blues; guitarless, undeniable, and immediate.
Jonny Balls comes out from behind the drumset to sing some lyrics on “GIrls.”  His spastic and perky drumming is hard hitting and perpetually consistent. They let him cut a brief solo on “I Wanna.” Johnny wheres the cowbell? Subtle rhythm changes in “Dirty” prove that the drum set can be a melodic element in punk rock, and help establish that the Jazz influence make sense.
Martin Bisi’s production is in your face and always faithful to the live show- the only place where there are obvious effects and overdubbing is in “Blue Eyed Blues.” Otherwise the disc just seems to be mixed and mastered very conservatively and expertly.
“Pink Cadillac,” is a nod to those 50s “oldies but goody” songs, but of course the tempo picks up and Smidge delivers a rapid fire rap. As he sings “Cuz I ain’t so bad,” he must be winking and acknowledging the nod to Louis Prima. “Hey Jonny” quotes hey Ronnie” and has a spoken intro that reminds me of the Shangri-La’s “Leader of the Pack.” It’s a celebration of cheesy pop culture, with a post-modern revisionism, or its just hilarious dirty fun. Try to keep a straight face while hear the lyrics, “Hey Jonny he’s so fine, he’s so fine I wanna fuck him from behind.”
I listened to ska punk from california back in the 90s, some of these catchy zippy trumpet lines remind me of the thrill i felt when I first heard that sound: the rich white kid angst version of authentic jamaican music.  The closest this gets to it is “Sweet Spot,” with a very busy bass line from Disco Ronnie and some “ooh ah’s” delivered like emo “ois.” This would be a great choice for a single, as its free of curses, full of catchy hooks, and the tempo changes make it consistently energizing. Here the Stumblebums enthusiastically turn up the joy and invite their listeners to dance. This track is an inspiring demonstration as to why people play music- because its the second most fun thing you can do with your fingers, I mean lips!

For fans of: Cherry Poppin Daddies, Reel Big Fish, Galactic, but that marginalizes them too much, anyone who loves passion, and doesn’t mind foul language will love this disc!

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Regifting Frankensense

Here is a little show I did on Solstice, its 100% safe for work and Clean for kids and adults. Thank you Empress Theatre staff, and Mike Schaffer and Tyson Hanson for the video.

Here is a nice write up about it. thank you Glenn Burnsilver

http://mobile.newsminer.com/bookmark/10698735-Bringing-a-little-%E2%80%98Ha-Ha-Ha%E2%80%99-to-the-holidays-with-Re-gifting-Frankincense-

 

 

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Paragraphs, New drawings, comics

Paragraphs (Minneapolis, MN)
Come Nap With Us
unsigned
Recorded by Jacob Grun, Ryan Maier, & Amy Daml. Mixed by Jacob Grun & Ryan Maier. Mastered by Arun Antonyraj.

Paragraphs improve on their previous album You Can’t Make a Ghost Without its Sheet with a collection of five songs, each over six minutes, each a vibrant soundscape.
The album begins with arpeggio guitars and bells, haunting vocals come around three minutes in. The reverb is heavy on guest vocalist Jacob Grun Me and My Arrow)  and his relaxed delivery compliments the mood.
“Believeverything” has a bouncy delay on Chris Polley’s guitar and murmurs of math rock sensibility. This track reminds me of El ten Eleven in its scope and sound.
“We Talk About Enemies More Than We Used To” has a pop sound bringing to mind early Euphone recordings.  It changes gears at 1:48, from shoegazy rock to a thundering march, with a repeating optimistic guitar lick.
“Donna Martin Graduates” has more guitar gymnastics and a build from Dan Vogel’s drums. Suddenly at 5:31 the piece breaks away, and breathy synths and organs from Brigitte Mussack’s keyboard allow us to soar through the air.

The most exciting track is the last, “The Dead Of Night Has Never Felt More Alive,”  has many enticing changes, a crackling white noise that teases to steal attention from acoustic guitars and melodica. This track reminds me of Mum and Dntel in equal measures. This album is both delicate and playful. There is restraint from overcrowding the ears with excessive layers, and the pieces would be great in the background of  an indie film, one with snow, and people.

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Here is a collection of bands I have seen recently, enjoy. Included is Saucy Yoda, Bitshifter, Lavoy, Octopus Project, Whiskey Tango and many others